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There are several examples of early sequential images that may seem similar to series of animation drawings.

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The cut-out silhouettes were attached inside the lantern to a shaft with a paper vane impeller on top, rotated by heated air rising from a lamp.

Some versions added extra motion with jointed heads, feet or hands of figures triggered by a transversely connected iron wire.

Ancient Chinese records contain several mentions of devices, including one made by the inventor Ding Huan, that were said to "give an impression of movement" to a series of human or animal figures on them, Since before 1000 CE the Chinese had a rotating lantern which had silhouettes projected on its thin paper sides that appeared to chase each other.

This was called the "trotting horse lamp" [走馬燈] as it would typically depict horses and horse-riders.

His heirs continued until their theatre closed in 1870.

Séraphin developed the use of clockwork mechanisms to automate the show.

The shapes of the puppets sometimes include translucent color or other types of detailing.

The history of shadow puppetry is uncertain, but seems to have originated in Asia, possibly in the 1st millennium BCE. It later spread to the Ottoman empire and seems not to have reached Europe before the 17th century.

Popular subjects for mechanical slides included the sails of a windmill turning, a procession of figures, a drinking man lowering and raising his glass to his mouth, a head with moving eyes, a nose growing very long, rats jumping in the mouth of a sleeping man.

A more complex 19th century rackwork slide showed the then known eight planets and their satellites orbiting around the sun.

It is sometimes argued that these early sequential images are too easily interpreted as "pre-cinema" by minds accustomed to film, comic books and other modern sequential images, while it is uncertain that the creators of these images envisioned anything like it.

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